December 20, 2020
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Merchant includes one of my all-time favourite similes. His logic is that if no one is asked to give a firm reason why they hate a rat, then he does not have to give a firm reason why he hates Antonio. This is another instance of anti-semitism. Solanio and Salerio's narration of this scene seems to miss the homoerotic undertones of Antonio's love for Bassanio. It was a pantomime technique generally used for comedic effect in Early Modern theaters. is a kind of(20) "lover of my lord ..." This ironically occurs in front of his wife, to whom he should have already pledged his soul and body. Looks like the site is more popular than we thought! 14. See in text (Act IV - Scene I). Notice that in Portia's denunciation of her suitors, Shakespeare is able to poke fun at other nations using their stereotypes. [Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and Attendants] Portia. "won the fleece...." Scene 2 (p. 21) See in text (Act III - Scene II). Portia, like the little candle in her house, is being over shadowed by a "greater glory," Bassanio's love for Antonio. This is a description that doubles as an insult since a colt would be a silly and inexperienced young person. "moth..." "he only loves the world for him..." "Wind" can represent some one's fortune, good or bad, depending on which way it blows. Portia, too, sees this as a relatively shallow, transaction. Scene1 Venice. Browse Library, Teacher Memberships By this Shylock means that the instinctive reaction one has often reveals how much they value it. Notice the implicit parallel drawn between Shylock and the Christians: Shylock seems to be a true man of his faith, while the Christians use faith for their own ends. "That in the course of justice..." See in text (Act IV - Scene I). With this reference Shylock declares that he would rather have his daughter married to a descendant of the man responsible for anti-Semitic hatred than one of these Christian husbands who do not value their wives. If he addresses the "you" to Portia, then he says that Portia would have to be more attractive for him to risk opening an iron casket. Shylock uses these examples of arbitrary hatred - such as that towards pigs, cats, and bagpipes - as reasoning for hating Antonio. This particular foreshadowing technique tends to be rather subtle and hence difficult to notice in an initial viewing or reading of the play. "sensible regreets..." Act 2 Scene 3… Belmont. Since national identification was extremely important during Shakespeare's time, these descriptions would have been extremely funny to Shakespeare's audience. Notice the language of monetary transaction used to describe love here. Bassanio's language quickly turns from love to a contractual agreement. This is neither humility nor mercy on the part of the Christians. See in text (Act II - Scene IV). See in text (Act II - Scene II). "proverb..." See in text (Act III - Scene II). "I had it of Leah..." Merchant of Venice Literary Devices. (2) Portia and Nerissa lack manly qualities. See in text (Act II - Scene VII). "(but it is not love,)..." Notice that Shylock uses animal imagery within this scene to explain his reasoning. File type. By this, Salerio means that new lovers move faster than married lovers since new lovers have not yet sealed their bond. In mythology she drives a chariot pulled by doves. A Doll's House (1) ... Act 3 Scene 2: questions on Portia. "inscroll'd..." Portia transforms her love and her wealth into a symbol, this ring. See in text (Act V). "unburthen..." It droppeth, as the gentle rain from heaven..." "The man that hath no music in himself, Act 1. The Merchant of Venice ... KS4 | Plays. Notice the religious underpinnings of this speech. See in text (Act III - Scene II). Discussion use for the classroom. What Shylock does not seem to realize is that he is losing Jessica as he is losing Launcelot. See in text (Act IV - Scene I). Notice that Lorenzo's love for Jessica is introduced with a description of her skin. Solanio and Salerio discuss the rumor that Antonio has lost yet a second ship. She tells him that unfortunately she does not have the right to choose the man who will marry her. "All that glisters is not gold,..." Search again. See in text (Act I - Scene II). Erebus was a dark place in Greek mythology that lay between Earth and Hades, life and death. Lancelot is given to Bassanio by Shylock to evilly reduce the amount of money Bassanio can get by the dead line. Shylock has repeatedly said that this judge is right and honorable, and now that the judge has used his logic against Shylock, Gratiano wants to remind the court that the judge is right and honorable. Unlike most of other Shakespeare's love stories, which rely on confessions of love and schemes to bring about the outcome one desires, in this play the pairings rely on contracts and gambling. Now, with the arrival of Lorenzo, Jessica, and Salerino from Venice, these two worlds meet, and the evils of wealth, spawned in Venice, disrupt the happy serenity of Belmont. See in text (Act II - Scene VII). It droppeth, as the gentle rain from heaven...", "The pound of flesh, which I demand of him,(100) The word `` judgement '' to invoke a religious imagery in this question the... '' at the beginning of Act IV - Scene II ) and what it means `` shalt... To present herself as an example of stichomythia, a dramatic literary devices in merchant of venice act 3 scene 2 in mercy. Sign of Bassanio 2 at Belmont Venus... '' See in text ( Act V ) position as problem... `` engag 'd... '' See in text ( Act III - I. The throned monarch better than her internal character makeup do no work for the of... 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